"CREATING with MULTI-DIMENSIONAL TECHNOLOGIES"
                                                          BY MARILYN LA CROIX

                                                         CHAPTER 9: COMMON BONDS


Understanding the power inherent in both matter and energy to affect mind and body is the
Ninth Step towards  Creating From the  Future with  Multi-Dimensional Technologies.  
When
performing Intentional Manifestations or Healing, we FEEL the Joy of it, Laughing Aloud as we speak
to the Force Field, encouraging the Processing.

                                                                  CONTENTS
                                                *  "Art As A Common Bond"
            How higher mental states affect the physical.
            Water' as a Common Bond.
            Sound, Shapes and Light.
            Sports and Movement.
            When past, present and future are One.
                                                    *  "The Power of Sound."
            Mathematics and Music.
            The Blackbird Serenade.
            Sound and Thought create Realities
            Visual Influences.
            Viewing art alters the brain, nervous system and hormones.
            The Shamans of our Time
                                                  *  Sacred Geometry transfers energy
                                                 *  The Flower of Life.
                                                 *  The Phi-Golden Mean Ratio.
            As art and healing merge, both art and medicine evolve.

"Art As A Common Bond"
In the late 1970's, whether I'm painting outdoors or in the studio, the phrases,"Now is the Time" and  
"
Earth Shall Bloom Again"  keep intruding into my mind and artwork. I'm inspired to paint a series of
works on a Regeneration theme.  My favorite subjects are abandoned apple orchards, whose unatt-
ended, twisted stumps and mutilated limbs continue to burst into bloom every spring, year after year.

The Lost River Valleys of central Idaho are filled with old cabins. barns, deserted ranches and fields
and mountainsides carpeted with wild flowers.As I paint the charming, old abandoned places on loc-
ation, tears spring to my eyes.  I'm opening to something dearly & lovingly cradled within the valley's  
mountain arms__ something nestled deeply & poignantly within myself as well.  I sense  Earth enter-
entering a crucial phase in Her history.

A large watercolor from the Regeneration Series__a gnarled apple tree in full bloom__is later purch-
ased by the  
Pocatello Regional Medical Center. Soon after, a young neighbor stops by to thank me  
for that  painting.  Her dad was rushed to that hospital after a severe heart attack. She & her mother
sat in the waiting room, growing more anxious and distraught as the hours inched by. Near midnight,  
with still nothing new on Dad's condition, she suggested a walk down the hall to distract her mother.

They came upon the Apple Blossom painting in a dim-lit corner with a tiny lamp above it. Her mother
recognized the artist's name as their neighbor's. She gazed at the artwork awhile,  then began to cry.
The daughter, fearing for her mother's welfare, asked if she was all right. "
Oh", said her mother, "I'm
fine.  I just realized that if  God & artists can create such beauty as this, I know Dad will be all right,
too".
When they returned to the waiting room, the doctor had glad news: Dad was out of danger and
would make a full recovery.

Sensing the power inherent in artworks to affect mind and body__ energy artists enter higher states
of consciousness wherein they can affect physical realms. With Truly Enlightened inividuals, energy
transferences from the pineal to the pituitary gland occur as we ask ourselves
:

"
Where does this Higher Self come from?"
Egos then retreat, leaving us in control of our minds,  rather than enslaved by them. The energy tra-
nsference affects our physical bodies & touches others as well.  
The loving practice and appreci-
ation of fine art creates a Common Bond linking the Spiritual with the Earth Plane.

Water As A Common Bond
Human thoughts & emotions  can affect water crystals.  After a temple priest prayed for an hour, the
misshapen,  sample lumps of water crystals became transparent,  hexagonal  "crystal-within-crystal"
forms. The frozen samples had changed even at molecular levels.

Water will absorb information. The purer the water, the better. Water in pure, clear mountain spri-
ngs and streams has beautifully formed crystalline structures, while polluted or stagnant water cryst-
als are  deformed and distorted.  Distilled water that was exposed to  classical music makes crystals
with delicate,  symmetrical shapes.  When the words,  "
thank you"  were taped to  a bottle of distilled
water,  the frozen crystals produced a shape  mimicking the crystals  formed by water  that had been
exposed to
Bach's "Goldberg Variations"__ music composed to reflect gratitude for the man for wh-
om it was named. When
Elvis Presley's song, "Heart-break Hotel" was played to this water the fro-
zen crystals that formed split in two!

When water samples are bombarded with heavy metal music,  or labeled with harsh words, or when
negative thoughts and emotions are focused upon it,  the water does not form crystals at all and dis-
plays chaotic, fragmented structures. When water is treated with aromatic floral oils, the water cryst-
als tend to mimic  the shape of the original flower__ rose oil added to water  will cause its crystals to
form the shape of a rose.  But strangely, when the words. "
Do it'  were taped on the  water's contain-
er, they didn't affect the water at all
; but "Let's do it", formed beautiful snowflake-like crystals.

Human bodies & Earth  are both composed of over seventy percent water,  suggesting that
the  positive thoughts & emotions we imprinted into our body's water hold a  power to heal
people, animals, plants and perhaps__ our planet.

SOUND, SHAPES and LIGHT can affect us POSITIVELY OR NEGATIVELY.

Everyone feels inspiration evoked from the Eiffel Tower, Taj Mahal, Sidney Opera House or the gr-
and cathedrals and pyramids  around the globe
;  but the shape of a swastika,  a vulture or skull can
bring feelings of fear or disgust. For many artists,  the very act of painting is therapeutic during trou-
bling times,  improving mentality and lifting emotions.  Art heals the split between old & new realities
when it affects bodies, minds, emotions or spirit within.

Sports and Movement
Zen spiritual practices use meditations &  disciplined body movements to empty mind & body prior to
embracing that emptiness of self to move into higher consciousness states. Sports can be a wester-
nized version of Zen,  producing similar effects.  Most innovative people  pursue some type of sports
or physical exercise. Jogging or brisk walking are favorites.  Aerobic and breathing exercises,  swim-
ming and Tai Chi or Yoga clear the head, unite body, mind & emotions and help one to center within
Spirit.

The body movements of  dance,  sports and martial arts are combinations of  discipline & meditation
that can bridge inner & outer realms to bond 3-D with higher dimensional states of awareness. Com-
mitment is vital. When the creative skill of Self-Discipline is applied to the body, it also structures the
mind,  freeing it from inner  "mind noises".  Rather than focusing on  perfecting postures or positions,
when we encourage energy flow within the body and keep the mind pure while performing, it assists
the athlete  to calm and  stabilize  both inner and outer selves.  Otherwise,  it's like  trying to expertly
maneuver a well-tuned car through an obstacle course while the driver is drunk.

Many sports can keep us in the moment  where we can access mind and spirit.  
J. L. La Croix,  ath-
lete, coach and teacher,  tells how runners  "hit the wall"  at certain distances
;  but if they push on in
spite of mental & physical fatigue,  they move into  higher modes of awareness  which feed the body
the energy it needs to perform extra-ordinary feats.

C. L. Canine, black belt holder & former teacher of the Korean martial art, Tang Soo Do, says when
she gets into The Zone during a sparring competition, she suddenly feels as if
: "Time no longer e-
ixsts__ past,  present & future are one__ and she anticipates her opponent's next move even
before he can begin to execute it."

When a woman anthropologist noticed the similarity of body positions seen in the arts of indigenous
cultures of the world__  many from  times and places  that could not  possibly have had contact with
each other,  she and others adopted those postures  while in meditation or ritualistic trances, & they
all had similar experiences of altered states of mind.

Physical movement to Music can further accelerate consciousness development. In the 1994 Texas
"
Flower of Life" workshop, a hundred students danced without partners, in the dimly lit ballroom. We
simply moved to the rhythm and emotion of uplifting live music played non-stop for hours.  Suddenly,
some other force began moving my body__ it was as if something was "dancing" me.

As I slid out of bed next morning,  the sense of extraordinary forces controlling my body was still pre-
ent
;  I was walking several inches above the surface of the floor.  I was levitating!  Asking the class
facilitators about this strange phenomenon, I learned it was a natural consequence of combining ye-
ars of meditation with sacred music.

The Power of Sound
As we move to Music__  the heartbeat of energy__  a resonance develops between  rhythmic sound
waves and rhythmic body waves.  
Dancing allows  energy transfers to occur.  Rhythmic dance
music has been shown  to perform powerful healing and balancing functions. It charges the
lower energy centers, grounds the physical body and vitalizes it by pumping energy into it.

Consciousness evolution, music and mathematics are closely interrelated. Mathematics__ the physi-
cist's "language"__ links everything in the universe, as does Music
. Even hyper-densities (diensities
beyond 3-D)
realms follow the laws of musical proportion and harmony. Shakespeare's works have
special powers because the words & rhythm of the words dictate Breathing__ &
Breathing evokes
Emotion.

Aware of ancient peoples' practices of  aligning sacred site and monument orientations with astrono-
mical constellations,  archaelogists researched the placement of the
Aztec temple pyramids at Teo-
tihuacan
near Mexico City. They found the pyramids  located according to a musical pattern exact-
ly like  the spacing proportions  between planets and asteroids  in our solar system.  One researcher
likened the processional to a huge guitar  with frets along its neck__ with pyramids & temples  mark-
ing planetary positions  at those frets where fingers are placed  to produce  the string vibrations mat-
ching exact musical scale tones.  He then transposed this  planet-fret-spacing  to musical notes on a
printed music staff.  It made chords reproducing  the opening tones of  
Strauss' composition,  "Thus
Spake Zarathustra
", used as the opening theme for the film, "2001: A Space Odyssey"

The
Classic Maya spaced their buildings along the Yucatan processional  in a similar planetary-mu-
sical fashion. They even included several then undiscovered  planets __ one closer  to the Sun than
Mercury, plus Pluto and one or two others farther out from Pluto.  Pluto was unknown to modern day
astronomers before
1930.

Music is perceived as originating from outside sources like a TV,  a babbling brook or someone sing-
ing, but few people realize that  
Sound impacts the body internally. The voice especially, has po-
wer  to influence internal organs.  Catatonic patients have been known  to respond to poetry.  As we
speak aloud,  our diaphragm vibrates with the Sound,  and we feel these word-vibrations resonating
through-out our bodies. This idea is behind the use of affirmations, mantras and chants.

Sound Healing is a new science.  Our bodies will harmonize with high intensity vibrations when in
a musical environment that forms a unified-energy field. Music begins as Sound but sets up a sort of
chain reaction that passes through our thinking & feeling natures,  affecting our current state of well-
ness. The first five minutes spent listening to the music entrains our bodies to the music's vibrations.
Indigenous people say that the musical tones of
F# , G and A are the most Sacred Sounds.

Both Sound and Music will bypass our intellect  to directly impact our emotional nature, re-
leasing emotional blocks as our body parts synchronize with each other__ simulating drug-
free therapies. Our
Intentions (creative skill) can ride on Sound waves,  and Rhythm (creat-
ive skill) can act as an "energy pump" through Time
. The same sound of "Ah" will make a plant  
shrivel up or thrive, depending on our Intent as we speak it. (See also
"Sound" in  Sound.html )

Physical 3-D dimensional Sound directly impacts other densities & dimensions.
The sound of a drum or rhythmically struck object acoustically alters both the physical and energetic
bodies' responses to the various dimensions. Cultures throughout history have used music & Sound
to train mankind's consciousness, whether by the ringing of a bell, a voice echoing from a minaret to
call the faithful to prayer,  the shaking of the shaman's rattle during a healing,  a cowboy crooning to
restless cattle at night, tones of a massive pipe organ or the soothing tones of  
Pachabel's  "Canon
in D
". All can float us into other worlds, introducing us to a sea of alternate realities.

Not only human beings and birds sing, but so do whales. They can even memorize and repeat musi-
cal phrases.
Mozart, fascinated by bird-songs,  found they produced basic rhythms similar to human
music. He once composed music based on starling's songs. Starlings (western blackbirds) have ma-
velous vocal talents, being able to imitate human sounds and music.

"The Blackbird Serenade"
Our California study group  met  in our RV one afternoon  to meditate with  Tom Kenyon's  "Wave
Form
" audio cassette which was inspired by the sounds of nature and designed to help us attune to
Earth.  After twenty minutes of meditation,  the tape ended__  but although we turned off the stereo,
the sound continued. Then we realized the music was coming from outside. About forty western bl-
ackbirds  had gathered  in a small tree  just outside the open door. They imitated  the  Wave Form"
music perfectly for another five minutes.

While writing or painting, I like loud music. Not strong enough to injure eardrums or annoy my neigh-
bors, but loud enough to vibrate my physical & energy bodies to higher frequencies. The kind of mu-
sic  we choose is important. It must be emotionally positive, lest we negate our emotional body while
trying to  vitalize the physical.  Our Intuition knows  what music is uplifting.  Music can even enhance
our spiritual path when it inspires us  positively.

When classical or good music makes our heart sing,  our entire being feels ecstatic. Certain patterns
of Sound  induce states of mind that aren't otherwise easily accessed, moving our focus toward Cre-
ator Source, to resonate more closely with The Force's vibration.

When the music is "negative", we begin to feel uneasy, then irritable, then angry__ and the body will
sometimes even produce physical pain.  Most of us have seen people dance to music  so disturbing,
so discordant,  that the only way it gets people vibrating  is by deafening them. The dance then bec-
omes a sort of  beastly orgy where we see the participants' faces  twisted into weird expressions so-
mewhere between a snarl and a sneer.  

When we express a word or thought audibly,  we project it to the world a s a standing wave;
it begins to outwardly manifest __
It Can Become Our Physical Reality!

In a 2017  YouTube.com video__  "Anticipation of A Golden Age"__  David Wilcock  explained that
"
There's no difference between Biological Life and Inanimate Matter__ except for the sophistication
with which the Energy that makes such Matter is Flowing."

"The Rocks of the Pyramids  are made of the same stuff that makes our
DNA!  It's just that our DNA
is a much more intelligently spiraling version of that same Energy,  whereas the pyramid rock does
not have as much structure."

"The Pyramid uses calcium carbonate. The basic matrix of limestone is Quartz,  & quartz is a Crys-
tal. So it has crystalline properties__ meaning,  as you get more and more crystallized, as a miner-
al, you're getting closer and closer to what becomes Biological__ LIFE!  Crystal is a very important
conduit between the World of Life as we know it,  and the World of Inanimate Matter, as we know it.
__ an Important Point!__ Because,  what we have in the  Giza Pyramid  is a device that  harnesses
this Energy by a very simple process
: The Energy itself, that makes physical matter has a fluid-like
quality. It behaves as if it were a fluid; and with that Fluidic Quality, comes all of the basic structur-
es that you get with Fluids Movements, which will include a Funnel__a simple concept. When Wa-
ter pours through a funnel, its Speed is fastest at the bottom of the funnel__creating a Current."

"So in every single calcium carbonate crystal inside the Pyramid, it's turning into a Fluid-like Ener-
gy,  & its  Flowing through.  The Flow i
s not happening in 3-D, Space  It's happening in Three Other
Densities (which is The Time Field).  If we want to find our  Higher Densities,  we must look at Time."

                                                                             
 ***
Einstein
believed Time was a separate dimension. It's not.  Time is Fourth Density in which our mi-
nds can go forward, backwards & sideways, which means we can See Things which Have Not Hap-
pened. Therefore, we can see potential Realities.
  
                                                            
A  "Flagstaff Live"  news brief, August, 1997,  reported on the first place winner of the  Virginia State
science fair.
David Merrell experimented with mice & music. First he built a maze that took the mice
ten minutes to negotiate. Then he played classical music to one group of mice, and hard-rock to an-
other group for ten hours each day.  After three weeks, those mice exposed to classical music made
it through the maze in ninety seconds.  The rock music mice took thirty minutes.  Merrell said, "
I had
to cut my science project short because all the hard-rock mice killed each other. None of the class-
ical music mice did that
."

Creativity contains Intellectual Energy. Applying it not only relieves boredom,  but can also
make us smarter.

There's a direct link between hearing & learning. Children hear while still in the womb. Mozart's mu-
sic__ played at low level__ stimulates & integrates the brain,  improves learning capacity,  enhances
creativity and spatial intelligence, overcomes learning disabilities,  reduces stress & raises IQ in chil-
dren and adults, evidenced by "
The Mozart Effect" and "The Mozart Effect for Children"__CDs prod-
uced from research by French physician,
Dr. Alfred Tomatis.

In western society,  we move from  activity to activity, insensitive as to  how nearby Sounds affect us.
Music helps us to draw images from within.  We can watch our individually unique pictographs emer-
ge, discerning shapes and colors  suitable for healing mandalas or collages, for murals, fabric arts or
for hanging art when ill.
 

To Be Human then__means having inherent gifts for influencing natural processes through
the arts.

Visual Influences
In late 2005  the local School District,  due to lack of funding, had to cancel art and music classes in
the elementary grades, & use the money on academic subjects so students could raise standings in
the
Bush Administrations'  "No Child Left Behind" program,  requiring children to be  regularly tested
on governmentally prescribed questions, and produce higher test scores every year. If there was no
improvement the following year, the school would lose federal and state funding.

This was particularly difficult,  because in this area of
Idaho,  classes consist of  one-third  hispanic
students__ many with little or no English language skills__ one-third mentally, emotionally or physi-
cally challenged students__ & the other third,  ordinary students  The
Idaho State School for The
De-af and Blind
 exists in town, & its students are also  main-streamed  through the public schools,  
part of each day. Very little improvement was shown in test scores, which had the school board, ad-
ministration, teachers and parents greatly concerned. Not only were the scores disappointing__ but
with academic subjects  being only memorized__ and being regurgitated on command,  requiring no  
original solutions from the student__ the students were either mentally over-loaded, bored or both.

An
after-school-enrichment program  was formed for the elementary grades, starting January, 2006.
The Students could choose  whether to take part or not.  Using both  teachers on staff & community
volunteers,  several classes were made available,  including one on drama & another on drawing__
this last taught by members of the local art guild. The drawing class became so popular, the waiting
list became twice as long as the number of desks available in that classroom. Parents, students and
teachers soon began  praising the results of this new program,  particularly the art classes, which at
first were limited to 2nd through 4th graders as a trial run.

At the next test period,  academic scores rose & continued to rise__ showing a  37% increase at the
semester's end for those elementary students enrolled in the creative arts classes  after school.  

It seems that creative challenges and problem-solving activities  actually do raise IQs__ &
keep the two sides of the brain interactive.

Plans were made to offer after-school arts, music, dance and/or drama classes all year long__ & to
increase the time from 2, to 4 hours a week. Middle School students would also have their speciali-
zed creative arts activities, and even the month-long summer school would offer similar choices.

Most innovative people are well-balanced psychologically,  & soon discover  how visual images can
be transforming. Research by health organizations has shown that even simply
viewing art changes
attitudes and physical conditions by altering brain wave patterns,  affecting autonomic nervous syst-
tems, hormonal balances &  brain neuro-transmitters. Paintings and sculptures have been placed in
hospitals and institutions  where the sight of them lifts thoughts and emotions  and precipitates heal-
ing energies, not only in patients, but also in visitors and staff. Attuning to Spirit/Creative Force with
any means, is the most healing thing we can do for ourselves.

Our energy centers transmute energy from higher levels down to the physical.
(Figure 2)  As beings
of light,  our auras-energy fields  glow with color.  Each major center  resonates  with a certain hue.
The lowest center at the base of the spine corresponds to the color
red  & the musical  "Middle C".  
The tone of
"D"  resonates to the reproductive 2nd center, and the color orange. The brow chakra
holds the color
indigo & vibrates with "A",  and so on up the scales.  Depending on the state of our
etheric energy body, each of us beams our personal vibrational rainbow to the world at large. A ph-
oto of an aura appears in
Chapter 1:  Modes.html.

Just as
Sharry Edwards heals with her voice by replicating tones missing from a client's voice, we
too can meditate on colors & colored light  to foster regeneration and wellness  to our physical bod-
ies. The effect is amazing  when the personal color vibrations of the aura  & the astrological planet-
ary positions are formed into a mandala
: ("Uranus Rising").

In the distant past, art and healing were one.  Art was used as a transformational tool. About 16,000
years ago
,  hunters drew animal shapes on the cave walls at Lascaux, France, to entreat the spir-
its of those they needed for food. In
2001 another cave was discovered near Cussac in the Dordo-
gne Valley
of western France, once a stronghold of the Knights Templar. It held drawings of wild
animals such as hybrid bears, birds, women & erotic imagery
; & is believed to have been made bet-
ween
22,000 & 28,000 years ago.  Experts are still analyzing  drawings & engravings found in 1994
in a cave of the Ardeche region of France, dating back 32,000 years.

Scientists examining some of these caves,  noted there were a series of dots on many of the animal
bodies. One fellow who had musical training,  saw how these dots corresponded with musical notes.
Later, when they brought musical instruments  and played those tones, the hoof-beats of the animal
bearing those matching dots  was heard galloping through the cave.  This  astounding phenomenon  
indicates an extremely high level of technological development in what we used to think of as "primi-
yive humans".

Medicine men and women  used rhythmic Sounds & sand painting images to heal.  Agricultural peo-
ples drew or molded fertility figures, and sang and danced to encourage bountiful harvests. Spiritual
groups all over the world still use art and music to attune to the Creator for healing.  We are now re-
covering this ancient wisdom. Many artists are developing spontaneous, powerful paintings  holding
regenerative energies, relying on their intuition to guide them.

In tribal cultures,  the shaman altered his consciousness  with various means to view  hidden worlds,
then shared what he'd seen with the tribe using music, art,  dance and  storytelling to manifest those
visions. Shamans are those men or women who explore other-dimensional worlds, and act within th-
ose worlds. This ancient, magical healing may be the way our world was created from Spirit's vision.
We are all Creator's great vision

Artists producing transformational sounds & images are the shamans of our time, experiencing their
whole lives as vision quests,  seeing & hearing the images and voices of the living Earth. It is about
going into our source of power,  and doesn't need a teacher or a trip to
India or Tibet.  We only ne-
ed us to see Earth and all life upon Her, as sacred
;  and to connect with  & surrender to Great Spirit
and to Earth around us. Then we can
spiritualize our physical body__ which is the vehicle by which
we ascend permanently to the next density along with Earth,
by re-framing every portion of our dai-
aly life as sacred and healing

And finally, We activate the Healings:  We heal ourself.  And then we heal others  and Earth;  and
as we do this, we discover & realize just Who and  What We Are,  because  Earth has gifted us with
Who We Really Are__ and with What we are To Do Here as we thrive upon her bounty. We will find
our  "Home"__ the place were we are  perfectly loved__ & will demonstrate  our inner artist & healer
and Be Ourself always__ for we are all Her most beautiful children__ Her visionaries__ Her artists &
Her shamans.

Sacred Geometry
As I photographed, sketched and painted from Nature,  I began to feel__ then see__ a basic patetrn
running through all visual forms. This pattern also resonated with musical notes & harmonics. It was
as if  I could "hear"  light,  texture,  color and form,  and "see"  tones,  harmonies,  rhythms  &  whole
passages of music & sounds  as they fit into that great pattern.  I began using this matrix as underly-
ing foundations for my paintings. I built up shapes,colors, lines and textures of trees, people, mount-
ains,  flowers,  buildings, birds__ everything visual__ based upon this  underlying blueprint__ realiz-
ing how everything is interrelated with everything else.

And then I invented and inserted shapes and colors not actually perceived with my physical eyes__
images only sensed as inherent to the patterns I saw  from both nature and self. My work became a
combination of Abstraction, Impressionism & Realism all in  one composition,  giving it a mystical qu-
ality.  Attunement to the unseen energetic Forces of Nature  renewed my childhood & youth relation-
relationship with nature spirits, auras & energy fields.  I recalled, how when I  played classical music
on my piano, I "Became One" with the music, & now, I was "Becoming as One" with the painting as I
formed it. Actually, we are in other Densities when this occurs!

My dear friend
Melissa, knowing of my interest in nature's patterns,  sent copies of pages from Ro-
bert Lawlor's
"Sacred Geometry" (then out of print).  In it I recognized the Golden Mean Rectangle,
with it's Phi Spiral forms
 (SacShapes.;html)  as part of my compositions. Golden Mean  proportions
were used by Renaissance and Old Master artists, and are still effective in today's art and architect-
ure.
Sound, "Light" and Geometry are the foundation of all 3-D physical things.

Years later, I opened to past lives, working to release their "traumas" through Basic Multi-D Techno-
logies. The
n Melissa sent  video tapes from one of  Drunvalo Melchizedek's  workshops.  "It's so
much like you've told me about your past lives & bizarre experiences
", she said. The renegade vid-
deos had been taped by a student in one of  Drunvalo's early  "
Flower of Life"  seminars on  Sacred
Geometry.

And there was my Oneness Pattern in its entirety! __ the pattern I'd perceived  as underlying every-
thing in Nature and upon which I designed my paintings
:  'The Flower of Life."  And,__ yes__ it  IS
the universal matrix through which every thing in our 3-D existence manifests. (
Figure 5.)

April, 1994 I had the privilege of taking the ten day intensive "Flower of Life" seminar in Austin, TX.
with one hundred students from around the world.  Drunvalo has now written
"The Ancient Secret of
the Flower of Life, Vol. I & II"
,  based on those workshops,  and has Videos on  YouTube.  He pres-
ented ideas astonishingly similar to what I'd experienced in past lives  and in this life,  since an NDE
at the dentist's__the "pop" which awakened me to the inner path  
twenty-eight years earlier ( Saturn
Cycle). He also presented a profound and expanded exposition of Sacred Geometries and how they
can assist us to raise our conciousness.

Sacred geometrical shapes raise our consciousness, even if we simply view them!  Reality
Itself is created through the proportions of this geometry.

The Flower of Life symbol is found world-wide and is__"the primal language of the universe__ pure
shape and proportion
." It is a language of a very high and extremely precise level. This design cont-
ains the Kabalists"
Tree of Life*__ another important shape is formed when the centers of two equ-
al radius circles are placed on each other's circumferences. The area where the two circles connect
forms what is called a
Vesica Piscis  (Figure 6-B).  Shaped like a human eye, it symbolizes a Womb.

Certain geometric designs affect  both consciousness & physical states
. We feel this when we view
the architecture and art of the Renaissance, the Great Pyramids, the statues and structures of anci-
ent Rome or Greece, Stonehenge & Mayan, Aztec or Egyptian  monuments & temples.
Claude Mo-
net
knew that when a particular flower was blooming,  it would be at a peak of Harmony  (a creative
skill) with every other blossom, bud, leaf or twig in his garden,  no matter what its stage of growth  &
he then expressed that in his paintings.

An ancient truth states that...  
"all life emerges  from the same blueprint."  Scientific tests found that  
any set of chemicals arranged in the same geometrical order as that of a rose__ will smell the same.
Exploring Sacred Geometry we see that Life springs from the same souce__the intelligent force ma-
ny call "
God, Spirit, Creator'/Source". We gain an expanded perception of the universe: All of reality
is sacred.

The Flower of Life pattern, considered sacred among  both ancient and modern cultures around the
world, holds the Triangle, the Spirals, the Vesica Piscis, the Tube Torus  and many more.  It symbol-
izes the inner-connectedness between all that exists. The Platonic Solids__ Sphere, Tetrahedron, I-
cosahedron and Dodecahedron are found in the basic construction of organic life, as well as in lan-
guage, music, art,and even in consciousness. They affect us on subconscious levels.

Both the
Golden Mean and Fibonacci Spirals are the primary energy patterns for all vortex format-
ions. The
Golden Mean Spiral is formed upon the Phi sequence of numbers and the Fibonacci Spir-
al
upon the Prime Number sequence. The Fibonacci sequence is Nature's way to create the Golden
Mean using whole numbers. These two spirals  were important to the great cultures of history__ and
still are today.  (
Figure 8-B),                       

Viewed from above,  a Golden Mean Spiral appears  as the layout for the  
Giza Pyramid's location in
Egypt & also for the Glastonbury plain (Avebury, Silbury Hill and Stonehenge) in England. If we
place a Golden Mean Spiral above an astrological zodiac chart wheel, the
shadow  cast by the tight,
center spiral falls upon the cusp between
Aquarius & Pisces.  Astrologically, humanity began moving
from the
Age of Pisces to the Age of Aquarius on December 21, 2012..

When this center spiral is laid upon
Earth's North Pole__ the curving line points directly to the Four
Corners area of the
U.S.A.__ where Colorado, Utah, Arizona & New Mexico meet__long held sa-
cred  by southwestern Native Americans. I used a similar Spiral to locate the
 Idaho Stargate and the
"
eye" of its vortex by laying it over a map of the three buttes in the Arco High Desert which reflect Or-
ion's Belt,
as do the Giza Great Pyramids. (See Archives for more on Sacred Shapes)

The Phi or Golden Mean ratio is crucial to our consciousness evolution because it has been
found to exist in the harmonic frequencies of our hearts at the very moment we send Love
to another being.  

It occurs when electrical and sound fields around the heart form  loops within loops, within loops as
they converge according to this
Phi wave ratio. It mathematically & musically demonstrates the One-
ness
phenomena.

Pyramids
Pyramids  have been shown to produce  measurable changes in  the human brain's electromagnetic
behavior.  The energy of certain geometric shapes  correlates with sound waves.  An object's
shape  
can
intensify a transference of energy. This energy exchange takes different forms,  including elect-
rical energy, heat, light and sound", confirming that geometry combined with  Sound has definite eff-
ects on people and plants. (See  
Archives)

Flanagan's,  Begich's and  Makela's researches show that there really are no mysterious pyramid
powers, for any time we place a cone or pyramid at the center of two poles in an electromagnet, the
magnetic flux lines increase in both volume and density. Then the angles of the pyramid itself manif-
est an axis on which an EM Wave is created without refraction, so the waves separate from each o-
ther, with each frequency or rotational force working independently of each other, until it meets ano-
ther wave with a similar frequency,  & forms the same rotational force.  Whenever  these two waves
(or a large number of similar waves) meet__ the force that forms is a
resonance rather than the sum
of the waves, and the force is also the sum of those waves squared (multiplied against themselves).
This gives an extremely high rotary force at the top of the cone or pyramid,  which can be measured
as remarkable
increases in the magnetic fields.

The Tube Torus
The Tube Torus is the sacred energy field around a human being and around Earth.  It's the
energetic shape of our  Milky Way galaxy
.  A Tube Torus is a  donut-shaped, geometric form.  If
you wrap yarn around & around a donut  to entirely cover it,  with each cord of yarn passing through
its center until__ at that center__ every cord of yarn will exactly touch all the others__you will under-
rstand.

Its form suggests tremendous possibilities for communication within and around it. To see an anima-
ted image,  go to__
www.harmonicresolution.com/Toroidal%20Space.htm  and scroll down to  "The
Torus in the Harmonic Resolution Therap
y".  Sacred Geometry has become a major tool  for under-
standing the new physics of
Time & molecular bonding. This fascinating field of study is an amaz-
ingly vast subject, far beyond the scope of this webbook.

THE FLOWER OF LIFE symbol  CONTAINS  ALL  KNOWLEDGES,  and Illustrates  the CONN-
ECTION underlying ALL LIFE EVERYWHERE.

We've mentioned how  the creative potential of humans is so profound that  Hitler and Stalin feared
it,  imprisoning the intellectuals and creative people  from
Germany and the countries they invaded,  
& exterminated millions. Therefore,  it was a shock to hear  a participant on  
"CNN Live" Talk Show
on
May 11,1998,  announce that some fundamental religious groups  had succeeded in banning ev-
en the use of the word, "
imagination" in  New Hampshire schools.  A similar effect  is developing in
the
U.S. where schools focus on math and science, dumbing-down our children by eliminating class-
es in creativity, imagination and open discussion,  preventing the development of their pineal glands,
and the integration of their right and left brains.

For many of us, Healing With Art  is a Spiritual Path,  a Transformational Process, and way of being.
Creating with energetic as well as with physical mediums, artists can now express through profound
processes, integrating the common bonds of  Art, Science and Spirituality for the 21st Century.

Edgar Cayce said "Light" is the medicine of the future: "As art & Healing merge, the field of
Art will be changed and the field of Medicine will be changed"
.

                                                                 ****
                                                   NEXT:  "HOW & WHY IT WORKS!"
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